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The Dynamite Club: How a Bombing in Fin-de-Siècle Paris Ignited the Age of Modern Terror By John Merriman
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From Publishers Weekly
Starred Review. Those who think of terrorism as an inexplicable evil produced by an alien culture will have their eyes opened by this fascinating study of 19th-century anarchist terrorists. Yale historian Merriman (History of Modern Europe) tells the story of Émile Henry, a well-educated young man from a politically radical family who tossed a bomb into a crowded Paris cafe in 1894. In Merrimans portrait, Henry emerges as an understandable, if not sympathetic, figure—a sensitive dreamer whose outrage at the misery of the poor curdled into a fanatical hatred of bourgeois society. He found a home in Europes percolating anarchist movement, whose adherents celebrated a cult of revolutionary violence and sang hymns to Lady Dynamite; their bombings and assassinations set off a wave of panic and police repression. Merrimans account frames an illuminating study of working-class radicalism in belle époque France and its bitter conflict with the establishment in an age when class warfare was no metaphor. Its also an absorbing true crime story, with Dostoyevskian overtones, about high ideals that motivate desperate acts. Photos. (Feb. 12)
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From Booklist
A notable scholar of French history, Merriman recounts an episode of terrorism in 1890s Paris that plumbs the motivations of one particular bomber. He was Émile Henry, who at age 20 rejected a potential career in the French army and embraced anarchism. In his narrative, Merriman brings forth biographical elements about Henry—his father was active in the Paris Commune, bloodily suppressed in an all-out 1871 class war—that illuminate his adoption of a radical outlook. Of an intellectual cast of mind, Henry read anarchist classics by Pyotr Kropotkin, novels by Émile Zola, and volunteered for anarchist newspapers. Anarchism’s issue of the day was whether workers’ liberation would come by revolutionary word or revolutionary deed; in this debate, Henry came down on the side of deeds, galvanized, Merriman suggests, by two anarchists who went unflinchingly to the guillotine for their bombings. Reconstructing Henry’s own attacks, Merriman allies a forensic eye with the texture of Paris de la belle époque, ably renders Henry’s personality, and implicitly invites comparison of his with the mind-sets of contemporary terrorists. --Gilbert Taylor
Review
Praise for The Dynamite Club
"In The Dynamite Club, John Merriman brings together his astonishing knowledge of nineteenth-century France, his unmatched skills as an archival detective,’ his marvelously lucid writing style, and his uncanny talent for bringing historical figures to life. The result is a searing portrait of the tensions and violence that lurked behind the glittering façade of fin-de-siècle France and eerily foreshadowed the terrorist threat of the present day." David Bell, author of The Cult of the Nation in France and The First Total War
"Those who think of terrorism as an inexplicable evil produced by an alien culture will have their eyes opened by this fascinating study of nineteenth-century anarchist terrorists . . . [An] absorbing true crime story, with Dostoyevskian overtones, about high ideals that motivate desperate acts." Publishers Weekly, starred review
"John Merriman has told an absorbing story of the strange world of anarchism in late-nineteenth-century France. Replete with uncanny and uncomfortable similarities to the war on terrorism’ today, The Dynamite Club portrays a society swept up in the fear of bombers who are certain that they are achieving immortality for a righteous cause. This saga of Émile Henry and his motley crew of fellow anarchists is hard to put down." David Kertzer, author of The Kidnapping of Edgardo Mortara and Amalia’s Tale
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